To the untrained eye, 22 Jump Street is an action comedy about two undercover cops (brought to manic life by Jonah Hill and Channing Tatum) who get into all kinds of hilarious shenanigans during their latest. However, while the film features a number of laugh-out-loud moments and a handful of memorable action set pieces, it’s really the biggest, broadest bromance since 2009 comedy I Love You Man. Continue reading Review: ’22 Jump Street’
It would be easy to write off Edge of Tomorrow as just another sci-fi action flick from the couch-hopping Scientologist that the tabloids love to hate. After all, Tom Cruise last starred in the similarly post-apocalyptic Oblivion, and if there’s one thing audiences love more than a crowdpleaser, it’s talking crap about celebrities. However, moviegoers who let themselves get caught up in those trivial concerns are truly doing themselves a disservice, as Edge of Tomorrow defies expectations to become the latest in a long string of solid adventure films led by Cruise. Continue reading Review: ‘Edge of Tomorrow’
Comedic actors have long been criticized for milking their signature shtick for all it’s worth. How many times, for instance, can Adam Sandler play variations on the man-child persona he popularized way back in 1995 comedy Billy Madison (if the grosses for Blended are any indication, we may yet find out – but that’s another article entirely)? In the case of Seth Rogen, the funnyman has largely found his niche as the loveable stoner with a heart of gold. From Knocked Up to Pineapple Express, Rogen has established himself as a bonafide comedic brand, a branch that has fallen off the Judd Apatow tree.
In Neighbors, Rogen does indeed hew fairly close to the type of character he’s best known for, but rather than holding the film back, his wry chuckle and panicky, frenetic energy are employed for good, not evil. In fact, Neighbors probably works largely because of the way Rogen is able to play off of his co-stars and the over-the-top situation they’re all placed in. Continue reading Review: ‘Neighbors’